取台灣四藝術贊助單位商標為元素，設計四款連續圖案，以金色呈現於創用CC大理石影像上；同時開放圖案版權，觀者可自行印製。
Art Deco始於20世紀初，與量產工業相伴而生，旨在提供所有人賞心悅目的商品外表。作品參考該風格，創造能擴張適應任何環境但也使人視覺疲勞的影像，並凸顯烏托邦願景中依然存在的權力關係（技術擁有者／工人、贊助者／被贊助者、藝術家／觀者）。
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Wallpaper stickers combining the designed pattern, which inspired by the trademarks of Taiwan four well-known art sponsors, with the faux marble texture. All pattern is open copyright and available for anyone to download and print out.
The work features a balance between art, decoration and craft. Its repetitive pattern recalls the look of wallpaper, providing a sense of security as in domestic space as well as eye fatigue. A tension arises in the scenario between handmade/time-intensive labour and manufactured/mass-produced while the form of open copyright echos the pervasive sponsorship and the so-called “empowerment” nowadays.