無聲影片；13分鐘；1.37:1
《摩登時代之後》為 24FPS 的碼錶，時長取自卓別林 1936 年電影《摩登時代》膠卷影格之間無畫面的總長。
受埃斯特凡尼婭．佩納菲爾．洛艾薩《盧米埃》（2021）啟發，作品與兩作機器和人的緊張共鳴，藉抗拒生產物體和資訊，重申人的地位：世界日益數位化，過去被視為缺陷的「缺席」如今成了少數人們可以逃離技術控制的空間。
✿ 感謝 ¹ Don’t Feed The Monster 帶其去前教堂
策展團體「請勿餵食怪獸」，縮寫為 DFTM¹，誕生於佛羅倫斯美術學院，旨在透過與佛羅倫斯周邊及其他地區不同實體建立聯繫和合作網絡，創造新的當代藝術場景。
策展團體「請勿餵食怪獸」，縮寫為 DFTM¹，誕生於佛羅倫斯美術學院，旨在透過與佛羅倫斯周邊及其他地區不同實體建立聯繫和合作網絡，創造新的當代藝術場景。
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Silent video; 13 minutes; 1.37:1
After Modern Times is a 24 FPS timer, of which length refers to the non-image parts between film frames of Charlie Chaplin’s Modern Times (1936).
Inspired by Estefanía Peñafiel Loaiza’s lumières (2021), the work resonates with the tension between machine and human in both works, reclaiming a place for human through resisting the production of object and data: in an increasingly digital world, the once considered flaw “absence” becomes a few spaces left where one can flee from the control of technology.
✿ With gratitude to ¹ Don’t Feed The Monster for bringing it to ex church
DFTM¹, an acronym for Don’t feed the monster, is a curatorial collective born in the classrooms of the Accademia di Belle Arti di Firenze. The aim is to create a new contemporary art scene, through a network of contacts and collaborations with different entities present in the Florentine area and beyond.