無聲動態影像
兩張四葉草影像的過渡，他們皆由同一張 BY-SA 2.0 三葉草影像（V. Epiney 所攝）修改而成。
作品以「平凡的超現實」營造陌生感，暗示影像世界的模糊性。挪用頌揚變異——那四葉草和當今自我增殖影像（從模因到生成式人工智慧）的特徵——重申其共享的開放性／靈活性：BY-SA 2.0 許可證允許自由修改，且往後須以相同方式分享。
受維哈塞爾敏《留住記憶中的影像》（1977-82）啟發，它要求付出和凝視，然透過不包含原圖，確保當中兩影像的平等。
✿ 感謝 Hochkantfilmfest 帶其去商圈
Hochkantfilmfest 於布萊梅展示各領域的影像作品，宣告垂直影框在電影藝術中日益增加的重要性。
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Silent video
A transition between two images of four-leaf clovers, both retouched from the same BY-SA 2.0 image of three-leaf clovers by V. Epiney.
The work evokes a sense of strangeness through “ordinary surreal” view, implying the ambiguity of the image world. Its appropriation form celebrates mutation, a characteristic of both four-leaf clover and today’s self-proliferating images from meme to generative artificial intelligence, and reaffirms their shared identity of openness/flexibility: the BY-SA 2.0 license allows free adaptation but requests to share likewise in the future.
Inspired by Vija Celmins’ To Fix the Image in Memory (1977-82), it asks for effort and gaze, and by not including the original image, it ensures the equality of both images within.
✿ With gratitude to Hochkantfilmfest for bringing it to market area
Hochkantfilmfest shows artistic works from various disciplines in the city of Bremen, sending a strong signal for the growing importance of the portrait format in film art.