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無聲動態影像
兩張四葉草影像的過渡,他們皆由同一張 BY-SA 2.0 三葉草影像(V. Epiney 所攝)修改而成。

作品以「平凡的超現實」營造陌生感,暗示影像世界的模糊性。挪用頌揚變異——那四葉草和當今自我增殖影像(從模因到生成式人工智慧)的特徵——重申其共享的開放性/靈活性:BY-SA 2.0 許可證允許自由修改,且往後須以相同方式分享。

受維哈塞爾敏《留住記憶中的影像》(1977-82)啟發,它要求付出和凝視,然透過不包含原圖,確保當中兩影像的平等。

 感謝 Hochkantfilmfest 的分享
Hochkantfilmfest 布萊梅展示各領域的影像作品,宣告垂直影框在電影藝術中日益增加的重要性


Silent video
A transition between two images of four-leaf clovers, both retouched from the same BY-SA 2.0 image of three-leaf clovers by V. Epiney.

The work evokes a sense of strangeness through “ordinary surreal” view, implying the ambiguity of the image world. Its appropriation form celebrates mutation, a characteristic of both four-leaf clover and today’s self-proliferating images from meme to generative artificial intelligence, and reaffirms their shared identity of openness/flexibility: the BY-SA 2.0 license allows free adaptation but requests to share likewise in the future.

Inspired by Vija Celmins’ To Fix the Image in Memory (1977-82), it asks for effort and gaze, and by not including the original image, it ensures the equality of both images within.

 With gratitude to Hochkantfilmfest for sharing it
Hochkantfilmfest shows artistic works from various disciplines in the city of Bremen, sending a strong signal for the growing importance of the portrait format in film art.